Engadget Feature: The World of ‘Guacamelee! 2’

There are few games that I have replayed – and then again, and again, and again – as much as I did with Guacamelee!.

Each playthrough emboldened me to become an even stronger, faster, more magical luchadore, but they also revealed new layers to the game’s world. Guacamelee! was brimming with secrets, hidden between the difficulty spikes and its signature atmosphere. That attention to detail only went further in its recent sequel, and luckily I got to hear & write all about it.

For my second longform piece on Engadget, I had the pleasure of talking with the series’ creators, DrinkBox Studios. Guacamelee! 2 became an opportunity for them to revisit a world they loved building in the first place, only to discover how rewarding the creative process could still be. I spoke with the team’s co-founder and producer, Graham Smith, art director, Steph Goulet, and concept lead & animator, Augusto Quijano, to better understand the sequel’s new landscapes, narrative beats, color palette and more.

As delightful as Guacamelee! 2‘s slapstick self-aware tone is, what stuck with me were its quieter moments – and how personal Augusto was in drawing inspiration from his Mexican upbringing. It’s clear that DrinkBox made even more thoughtful design decisions this time around, managing to distinguish the sequel from its already hyper-stylized predecessor along the way.

With a Guacamelee! themed episode of Screen Looking in the works, I now have a great excuse to replay the sequel, too. Until then, I hope you enjoy reading about it.

E.5 – Spider-Man

If a video game is going to let you experience life as Peter Parker in 2018, it ought to feel amazing. Thankfully, it does.

Strength, grace, and a taxi-driver’s understanding of Manhattan are just a few of the advantages that Marvel’s Spider-Man affords players. Surprisingly, it’s also filled with heart, laughs, and a gravity-defying means of traversal that never grows old. After a tumultuous history in video games, the iconic character is finally done justice in the hands of Insomniac Games.

My brother, Nicholas Kuhar, and our longtime friend, Ryan Ward, join me for an extended chat about the wall-crawling adventure we’ve been waiting for. We break down what makes Spider-Man a thoughtful adaptation through its relationship with its source material, web-slinging physics, commitment to the character, and clever yet jaw-dropping presentation.

Additional Credits & Notes:

  • Spoiler Warning! Around the 30 minute mark, we start discussing major narrative and plot details.
  • Nicholas Kuhar is my brother, bandmate, and frequent donor of graphic novels. He is also the Director of Innovation at St. Edward High School in Cleveland, OH, helping young students unlock their creativity through new-media and technology. Some of his favorite video games include The Legend of Zelda: Breath of the Wild and Final Fantasy VII.
  • Ryan Ward is your go-gettin’ friendly neighborhood Spider-Fan. His knowledge of Marvel Comics is extensive, and the Metal Gear Solid series has produced some of his favorite video games. Since growing up together in Northeast Ohio, these truths have remained the same.
  • Special thanks to Megan Kuhar for lending her audio engineering expertise & support — without it, we would have not been able to record this month’s episode.
  • Music in this episode is from Spider-Man: The Animated Series, and the OST to Marvel’s Spider-Man (composed by John Paesano).

E.4 – Hearthstone: The Boomsday Project

It’s been nearly half-a-decade since Blizzard Entertainment disrupted the card game scene with Hearthstone. Its community is still going strong, and is now enjoying one of its most fun & balanced seasons thanks to The Boomsday Project: an otherworldly expansion pack filled with mad scientists and happy accidents.

In our fourth episode, we discuss not only the state & direction of Hearthstone, but also revisit the foundation it was built upon. Returning from our debut episode to talk through it all is my dear friend, Alex Koval.

We also welcome an additional and very special guest: concept artist & illustrator, David Kegg. David has had the unique pleasure of creating some of the excellent artwork found in Hearthstone’s latest set and trailers. Today he joins us to talk shop about the look & feel of the game, his artistic contributions and the process to bringing aspects of Hearthstone’s world to life.

Additional Credits & Notes:

  • Alex Koval is a full-stack web developer, an independent short-filmmaker, and a fan of the horror genre. We’ve been best friends since 2nd grade, and some of his favorite games include Resident Evil, Final Fantasy Tactics, Eternal Darkness, and Banjo Kazooie.
  • David Kegg and I went to art school together at the Cleveland Institute of Art, and he has been a professional concept artist & illustrator ever since. His work can be viewed online through ArtStation, as well as on Instagram and Twitter (@DKeggArt).
  • Music in this episode is from the OSTs to both Hearthstone and its latest expansion, The Boomsday Project.

E.3 – Uncharted: The Lost Legacy

Uncharted 4: A Thief’s End left Naughty Dog’s critically-acclaimed action adventure series feeling far more complete than most games are known for. Apparently, its creators felt otherwise.

Somewhere between an epilogue and a standalone chapter, Uncharted: The Lost Legacy managed to distill the best parts of the series without overstaying its welcome. And by handing the reins over to someone other than Nathan Drake, it discovers at least one more adventure worth taking.

Hilary Bovay returns to the guest seat to uncover what secrets Uncharted still has to offer, as series favorites Chloe & Nadine take the lead. Tune in for our conversation exploring the game’s mythological and cultural background, cinematic qualities, production methods, acting, writing, and more.

Additional Credits & Notes:

  • Hilary Bovay is an incredibly talented photographer from Aquidneck Island, RI, now based out of Cleveland, OH. She has a keen eye for aesthetics & visual storytelling, and her love for the original Crash Bandicoot is all you’ll ever need to know about her taste in video games.
  • Music in this episode is from the OST to Uncharted: The Lost Legacy, composed by Henry Jackman.
  • Outro bumper clips courtesy of YouTube user SuperNormalMode.

Top Ten Levels: Crash Bandicoot

Near the top of Screen Looking’s second episode, we admitted to scrapping our initial take – it simply got way too long. The culprit was an additional 30+ minutes devoted to specific levels from Crash Bandicoot N. Sane Trilogy – ones that Hilary & I agreed were, as the French say, “la crème de la crème.”

Still, we feel they deserve our recognition. Having now achieved over 100% completion across Vicarious Visions’ rebuilt trilogy, we felt like we had to revisit this topic more officially.

Out of the 100+ levels between Crash Bandicoot, Cortex Strikes Back, and Warped, we boiled it down to 10. Ranging from quintessential to delightful and unforgettable, these levels are the ones we feel every Crash Bandicoot player should revisit more than once. Continue reading Top Ten Levels: Crash Bandicoot

E.2 – Crash Bandicoot N. Sane Trilogy

It’s another deep-dive into another remake…of another classic Playstation series from the mid-to-late 90’s – and it’s on the anniversary of Crash Bandicoot N. Sane Trilogy. We might be a year late to the conversation, but we’re just too fond of the orange marsupial to let that stop us.

Originally created by Naughty Dog, the Saturday-cartoon-style platformer made waves in 1996, just as the industry was discovering the 3rd dimension. With its lush art direction, innovative gameplay, expressive characters and irreverent attitude, Crash Bandicoot cemented Naughty Dog as the world-class studio we still know it to be. But it’s Vicarious Visions’ remake that brought Crash to an entirely new generation last June — and to the center of our discussion today.

Not only is Crash’s makeover a piece of modern entertainment, but an important entry into the efforts of game preservation. By adapting & rebuilding the trilogy for modern consoles and players, Vicarious Visions brought a renewed clarity to a notable slice of gaming history. We look at what choices they had to consider, what they refined, what they changed, and what they preserved with an unwavering loyalty.

Being a year removed from the N. Sane Trilogy has its benefits, though. As three-games-in-one, this was no easy topic to digest nor keep to an hour. But our mutual hindsight keeps things sprightly and candid. My partner and guest, Hilary Bovay, is the only other person I know who grew up with a love for this trilogy to match my own. Join us for a myriad of perspectives as we breakdown the classic Crash Bandicoot trilogy and its gorgeously challenging remake.

Additional Credits & Notes:

  • Hilary Bovay is an incredibly talented photographer from Aquidneck Island, RI, now based out of Cleveland, OH. She has a keen eye for aesthetics & visual storytelling, and her love for the original Crash Bandicoot is all you’ll ever need to know about her taste in video games.
  • Read Andrew’s feature story on Engadget to learn more about Vicarious Visions’ process and determination behind their Crash Bandicoot N. Sane Trilogy, view exclusive concept art, and more.
  • Music in this episode is from the OST’s to Crash Bandicoot and Crash Bandicoot N. Sane Trilogy, composed by Josh Mancell. The title theme featured at the top of the episode was reproduced by Justin Joyner (Audio Lead at Vicarious Visions).

E.1 – Resident Evil 2 (Remake): First Impressions & Retrospective

Welcome to the inaugural episode of Screen Looking, a podcast where close friends take a closer look at their favorite video games.

We’ll be focusing on one game per episode from the perspective of its artwork, game design and storytelling, ranging from contemporary blockbusters to remakes and indies. Typically, we’ll unpack games we’ve already played through. But because this is our first episode, we decided to discuss something special: the newly announced remake of Resident Evil 2 (RE2).

RE2 was originally released in 1998 to critical acclaim as a two-disc game for the Sony Playstation, shortly following its breakthrough predecessor. Twenty years later, it’s finally getting the remake fans have been clamoring for since Resident Evil’s in 2002. The pair of survival horror classics defined a new genre and terrified gamers in their formative years. My guest, Alex Koval, and I can attest to this, as it’s a series we grew up playing together, bonding over, and thinking about ever since.

Join us as we look at what gave RE2 the status it earned in 1998, our impressions of the remake fresh off of its E3 reveal, and what we look forward to seeing next.

Additional Credits & Notes:

  • Alex Koval is a full-stack web developer, an independent short-filmmaker, and a fan of the horror genre. We’ve been best friends since 2nd grade, and some of his favorite games include Resident Evil, Final Fantasy Tactics, Eternal Darkness, and Banjo Kazooie.
  • Music in this episode comes from the OST’s to both Resident Evil and Resident Evil 2
  • Audio clips from Resident Evil courtesy of “Resident Evil – Voice Acting Horror – 10 Minute Cut” by YouTube user gamegoo

Engadget Feature: The (re)making of ‘Crash Bandicoot’

If we were to chat about video games, it wouldn’t take long to deduce that the original three Crash Bandicoot games were essential to my childhood.

With that in mind, I am proud to share my latest piece of professional video game writing: a full-length feature on the process behind remastering the Crash Bandicoot trilogy. The feature was published and laid out by Engadget in early July, featuring in-depth interviews with art & design leads on the team at Vicarious Visions (VV), in addition to exclusive process-artwork that outlines their creative workflow.

Continue reading Engadget Feature: The (re)making of ‘Crash Bandicoot’

Polygon Opinion Piece: ‘The Last Guardian’

Polygon graciously allowed me to write this intimate opinion piece for them, which explores my experience playing the long-awaited The Last Guardian and the parallels I drew between it and our bond with animals. It serves as an analysis of the game’s design, as much as it is a personal essay and investigation into the ways we all encounter animals in need.

Here’s an excerpt from the piece:

The Last Guardian doubles as an interactive metaphor for the discovery and rehabilitation of animals in situations of abuse or neglect. For being such a fantastical setting, it plays host to a cautionary tale that is grounded in reality. By offering us an extended glimpse into an abused animal’s perspective, The Last Guardian asks us to empathize: What does it mean to spend time in their environment? How are they a product of it, and how much can they change?

The full article can be found here, and I invite you to share your own story and/or takeaway from The Last Guardian.

Tiny Apocalypses: An Interview with Dan Pinchbeck, Creative Director of ‘Everybody’s Gone to the Rapture’

Everybody may have vanished from the slumbering town of Yaughton, but not without a trace.

Across a blindingly bright English countryside, with radios left on, research abandoned, doors unshut and phone booths ringing, Everybody’s Gone to the Rapture explores what life there was like as you piece together a hauntingly calm apocalypse in a most unfamiliar setting: home sweet home.

Previously known for their surreal Dear Esther and Amnesia: A Machine for Pigs, Everybody’s Gone to the Rapture is the latest game from studio The Chinese Room. In my curiosity to learn more about what fueled Rapture’s story, its big questions and the creative drive behind them, I discovered what inspires and compels the team that created it. Dan Pinchbeck, Creative Director at The Chinese Room, graciously took me through their process, the artistic decisions they made, his thoughts on science fiction and the potential for storytelling within video games today.

Read an excerpt from our discussion after the jump, and/or read the full interview here.

Continue reading Tiny Apocalypses: An Interview with Dan Pinchbeck, Creative Director of ‘Everybody’s Gone to the Rapture’